Canon introduced this lens to replace the 16-35mm f/2.8L USM lens. The original 16-35mm produces sharpness in the center but has a number of issues including softness and CA (chromatic aberrations) in the corners.
Searching for lenses can be hard and time consuming task. There are plenty of amazing reviews about each lens, but reading all of those long articles can be sometimes just to hard, so there is no need to read yet another long story about each of these lenses, we’ve red it all for you and put it in a short (only facts) article with all the important ingredients.
Wide angle rivals
If you have an APS-C camera body – meaning 1.6x crop… and want to go as wide as possible, there only few options available. On a Canon body the first choice would be of course the Canons EF-S 10-22mm f3.5–4.5 USM, but what about the less expensive Tokina 11-16mm f2.8?
Canon announced new EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM, the world’s first wide-angle prime lenses… to feature optical Image Stabilizer (IS) technology.
They provide the highest levels of performance for modern digital photographers, combining premium image quality with durable, user friendly designs.
Canon has a new EF 24-70mm f/2.8L II USM… professional zoom lens, an update to the popular EF 24-70mm f/2.8L USM. It provides the highest levels of performance for modern digital photographers, combining premium image quality with durable, user friendly designs.
I had the opportunity to play with a old Zeiss lens last Tuesday. I only had the lens for a day (actually, a night) and did not have much time to do serious testing so I decided to skip the standard and boring sharpness assessments and move to a topics you will find more interesting: how it performs for video….